A husband rushes for a doctor and his wife has triplets.

Tupper meets the wealthy Miss Whipple at a baseball game. When she declares that she just adores baseball players, Tupper starts up a team.

A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead?

Charlie is amidst a number of loving couples in the park. He parodies one couple by embracing a tree. A girl asks her beau for a love token. The beau steals a pocket watch from a sleeping man, Charlie gets it away from him and gives it to the girl. He later gets it back and tries to sell it to his original owner who calls a policeman. Many park visitors wind up getting tossed into the lake.

The plot is a satire derived from Hugh Antoine D'Arcy's poem of the same title. The painter courts Madeleine but loses to the wealthy client who sits for his portrait. The despairing artist draws the girl's portrait on the barroom floor and gets tossed out. Years later he sees her, her husband and their horde of children. Unrecognized by her, Charlie shakes off his troubles and walks off into the future.

A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?

Charlie has trouble with actors' luggage and conflicts over who gets the star's dressing room. There are further difficulties with frequent scene changes, wrong entries and a fireman's hose. At one point he juggles an athlete's supposed weights. The humor is still rough: he kicks an older assistant in the face and allows him to be run over by a truck.

Charlie gets into a fight at his regular bar and finally crawls out under the door. He then boards a streetcar and follows a beautiful lady in a taxi. He breaks into her home. Her husband comes finds him trying to seduce his wife.

Charlie meets a couple and agrees to care for the man's crippled uncle. After the couple breaks up the man's new girl drops some eggs which Charlie slips on while trying to control the wheelchair. Charlie sets up the uncle near another wheelchair on a jetty, from which he lifts a beggar's cup and "invalid" sign. These he places with the uncle, and money begins to roll in. Charlie takes the money and buys himself a drink. Returning, he gets to know the abandoned young woman. After pushing the uncle and his chair into the drink and battling the beggar and two policemen (one of whom arrests the uncle), Charlie beats up his rival and gets the girl.

Charlie dreams he is in the stone age. There King Low-Brow rules a harem of wives. Charlie, in skins and a bowler, falls in love with the king's favorite wife, Sum-Babee. During a hunting trip the king is pushed over a cliff. Charlie proclaims himself king, but Ku-Ku discovers the real king alive. They return to find Charlie and Sum- Babee together.

A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.

After the old-books shop closes, portraits of the Strumpet, Death, and the Devil come to life and amuse themselves by reading stories--about themselves, of course, in various guises and eras. Four of the stories are literary horror stories (one by Poe, one by R. L. Stevenson), and the last one is a comedy involving a fake haunting.

Combs, a settler in the Dakotas, receives word that he is the heir to a large fortune. He eagerly prepares to go and claim it, but his Native American wife White Fawn is dismayed. Fearing that she will lose her husband if he goes east, she stabs herself with a knife. When Combs finds her, he is overcome with grief. He bends over her and pulls out the knife, only to have their daughter see him in this position. She draws an erroneous conclusion from the situation, and runs for help, leading to some tumultuous developments.